Why Aren’t They In The Rock & Roll Hall Of Fame: Joe Walsh

[Note:  After this post had been written but before it was published, one of my readers, Mike Honcho, said the following about Joe Walsh that I thought would be good to share:  “How about Joe Walsh/James Gang. I know he’s in with the Eagles, but so is Don Henley, on the list of snubs. Unbelievably influential to generations of guitarists. First to do the talk box, sold/ gave Jimmy Page the Les Paul he made famous, helped Pete Townshend with some if his tone through gear (gave him a Gretsch used on Who’s Next and Quadrophenia). Rocky Mountain Way, Life’s Been Good, Funk #49, Walk Away, All Night Long, The Bomber etc. There are more, but he’s all over what’s left of FM radio and the satellite now. The amount of guys he’s influenced stretches from Billy Gibbons to Joe Bonamassa to Brad Paisley. He could write, sing, play killer rhythm, lead and slide. He did it all- fronted the James Gang and Barnstorm, was/is a successful solo artist and vaulted the Eagles to what they became. Imagine Hotel California without him.”]

If you think about the music career of Joe Walsh, there are a few different images you can have.  Perhaps you think of his time with the Eagles, singing the occasional song he penned about sad cafes and pretty maids standing in a row.  Perhaps you think of his dry and sardonic look at the way that life’s been good for a music star, even if he finds himself unable to drive because his license has been taken away or his contribution to the “Urban Cowboy” soundtrack.  One thing you may not think of, though, is that he is a fairly obvious snub for the Rock & Roll Hall of Fame as a solo artist or, even more notably, under the “Award For Musical Excellence” that goes to those who help make other people’s music better.  Not long ago I found that my writing about Don Henley’s case for induction into the Rock & Roll Hall of Fame as a solo artist received some attention from some Eagles fans [1], and that some people lamented that Glenn Frey had not been inducted either, but it was noted that Joe Walsh had perhaps the most obvious case for induction aside from Henley.  And why that is the case is the subject I would like to tackle now.

The Influence Of Joe Walsh

In looking at the influence of Joe Walsh we are left with a lot of possibilities.  Do we look at his solo career, and examine his hit singles and albums, as the linchpin of his case for induction?  Do we look at his time with the Eagles and other bands?  Do we look at his side work for other musicians on their albums as evidence that the talented musician was someone well recognized for making other artists better?  The fact that all of these remain viable options suggests that Joe Walsh is a figure more important in the history of rock & roll music than he may initially appear to many people at first.  After all, someone can have influence on music in a variety of ways.  Walsh’s influence was varied in nature, including songs written and recorded under his own name, songs recorded by bands he was a part of, and songs recorded by others that he wrote, produced, and played on.  This varied and complicated influence is the sort that is better recognized by those involved in the music industry than those who are merely fans of artists and focused on those names that appear on the cover of singles and albums, and it is that case to which we now turn.

Why Joe Walsh Should Be Inducted Into The Rock & Roll Hall Of Fame

As is sometimes the case for musicians, the whole of their case is greater than each individual element of it.  Joe Walsh recorded with the Eagles, writing and singing songs like “The Sad Cafe” and “All The Pretty Maids In A Row,” and he also recorded with such bands as The James Gang And Barnstorm.  As a solo musician he had two gold albums and one platinum album, and 4 top 40 singles, most notably “Rocky Mountain Way,” “Life’s Been Good,” and “All Night Long,” as well as the #1 mainstream rock song “Life Of Illusion [2].”  Besides this he was notable as a producer, songwriter, and session musician for a diverse group of worthy bands and musicians like:  The Ohio Express, B.B. King, America, Billy Preston, Dan Fogelberg, Keith Moon, Andy Gibb, Jay Ferguson, Warren Zevon, the Beach Boys, Don Henley, Lionel Richie, Michael McDonald, Steve Winwood, Richard Marx, Wilson Phillips, Bog Seger, Fleetwood Mac, Ringo Starr, Kenny Chesney, and the Foo Fighters [3].  This case, when looked at as a whole, signifies someone who made a lot of other musicians better and deserves credit for that in some fashion above and beyond his well-regarded work with the Eagles.

Why Joe Walsh Isn’t Inducted Into The Rock & Roll Hall Of Fame

It seems likely that Joe Walsh seems a bit anonymous as a musician.  His work with the Eagles was towards the later part of their initial popularity, after they had been around for years.  His solo work is certainly impressive, but hardly obvious, and most of his work is almost anonymous in providing songwriting and production to excellent songs and albums or providing a slide guitar part to songs that are known for their main musicians.  He is someone who is known by musicians as being very good at what he does, not someone who is recognized by the masses as being an obvious star.  And yet that lack of obviousness makes him a suitable case for the Award For Musical Excellence, as it does not require a mass campaign in his favor but rather the recognition of a job well done over the last few decades as a musician.

Verdict:  Put him in.  He won’t be in anyone’s way.  Life’s been good for him anyway.

[1] See, for example:


[2] https://en.wikipedia.org/wiki/Joe_Walsh_discography

[3] See, for example:




About nathanalbright

I'm a person with diverse interests who loves to read. If you want to know something about me, just ask.
This entry was posted in History, Music History, Musings and tagged , , . Bookmark the permalink.

15 Responses to Why Aren’t They In The Rock & Roll Hall Of Fame: Joe Walsh

  1. Neat says:

    Just happened to be listening to “So What” when I stumbled across your article as to why Joe should get in. His work with The James Gang and early solo releases are enough to warrant induction. Great stuff! If Bob Jovi, The Cure, Def Leopard, and Stevie Nicks are in then it’s a no brainer. But it’s turned into a popularity contest now and if a lot if your work is unknown it’s tough to get the nod. Just like with Yes and Deep Purple the masses have make the extra effort to include artists like Joe. Let’s hope it happens. Vote Joe!

    • Yes, I agree that with someone like Joe Walsh the masses have to make the effort, unless someone gets support from the nominating committee and gets voted in under the Award For Musical Excellence, which requires no popular vote, and how Ringo Starr (solo) and Nile Rogers got in, among many others.

  2. Rod Blackburn says:

    I agree 100 percent! Joe should be in the RnR hall of fame with Henley too as solo artists! But seriously folks LP was played over and over again to get me thru tough accounting courses at college, that was the key to me passing the courses! He will always hold a special place in my heart, he didn’t realize his songs helped me study! Rock on Joe!

  3. Gabrielle says:

    Come on … It hasn’t been the “Rock and Roll” Hall of Fame for years. Now, it has to include Rap and hip hop artists? If they put in every one that should be in there ….

    • Yes, now it has to include rap and hip artists, and it should probably include dance pop and Christian and country artists and a great many others besides. If they put everyone that should be in there it would be a very large rock and roll hall of fame and would probably require a dozen or more inductees every year (just to get through the backlog of all of the people not currently inducted who should be in one category or another). Suffice it to say, I don’t think I will ever be done with this particular series of posts because the way that the RRHOF limits inductees to five or six per year in the main category (and does not always include a great many people in the producer or award for musical excellence categories) means there are always snubs, in an ever increasing number.

  4. Theresa Constantino says:

    I just read your article and for what ever reason, something made me start a petition last year to try and get Joe into the Hall of Fame as a SOLO artist. I am trying again this year. This is the link for my petition which I have collected 1,645 signatures so far.

    • Thanks for sending me the link; I’m sorry for getting to this late but I didn’t have internet access on my laptop the last couple of days, so I signed the petition.

  5. Pingback: Why Aren’t They In The Rock & Roll Hall Of Fame: Todd Rundgren | Edge Induced Cohesion

  6. Pingback: Why Aren’t They In The Rock & Roll Hall Of Fame: Peter Frampton | Edge Induced Cohesion

  7. mothfire says:

    “Life’s Been Good” was a monster hit in 1978. It was in rotation on the hour on the radio for pretty much the entire summer. You just couldn’t get away from it.
    “Rocky Mountain Way” was one of the first songs I learned to play on guitar (along with some Doobie Brothers and Tom Petty). He wrote the forward to one of Craig Anderton’s (he had a column in Guitar Player magazine about guitar electronics) books on guitar effects.
    I agree, he should be in the RRHOF.

    • I wasn’t alive in 1978, so when I look at past artists I either have to talk to huge music fans of bygone days like my mother and stepfather or I have to go digging in books and websites.

      • mothfire says:

        I graduated high school in 1978 so I am pretty familiar with the times. My music memories go back to 1970-1971 although they were more pop oriented. I only really got heavily interested in music in 1975 with ELO’s album “Face the Music” and it’s first track “Fire on High”. From thereon, I consumed music like an animal!

        Thank you for blogs posts.

      • You’re very welcome. ELO is a good band to get one interested in music. It wasn’t until I was an adult, in fact, in my 30’s, before I became familiar with ELO and got hooked, but my family were big fans of historical music so I’m always glad to talk to people who have memories of the music of previous decades, especially when it is as good as most of the music I write about in this segment :D.

      • Alright, I’m going to have to listen to this. He’s really going for a classic vibe, not what I expected at all. Why do we get all the Buble remakes at restaurants and stores when we have this?

Leave a Reply

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out /  Change )

Twitter picture

You are commenting using your Twitter account. Log Out /  Change )

Facebook photo

You are commenting using your Facebook account. Log Out /  Change )

Connecting to %s