Introduction
This final paper carries the history of Tampa’s working people from the mid-twentieth century into the present and, in doing so, draws together the arguments of the whole series. It has four subjects, each connected to the themes developed across the preceding papers: the deindustrialization that completed the unmaking of the old working-class economy; the arrival of the Cuban exiles who fled an actual socialist state after 1959, which gives this series its sharpest real-world reckoning with the ideology it has treated skeptically throughout; the gentrification of what remained of Ybor City, in which a once-working immigrant district became an entertainment and tourism zone; and the contest over memory—the question of who tells the story of Tampa’s working people and what that story is made to mean. This last subject returns the series to its own foundations, for a history from below is itself an intervention in that contest, and this paper ends by reflecting on the argument the series has made.
The interpretive stance gathers the threads developed throughout. The series has argued that Tampa’s working people advanced through their own labor, their own enterprise, and their own voluntary institutions—the ladder up and the mutual-aid society—rather than through the state or through radical confrontation; it has treated organized socialism and anarchism with fairness but with a skepticism about their costs and their record; it has condemned Jim Crow without qualification while honoring the self-built institutions through which Black Tampans survived and eventually overcame it; it has recovered the central and often uncredited role of women; and it has developed a careful account of the state as neither savior nor simple villain but as a power that did real good and real destruction depending on its accountability to the communities it touched. This paper brings these arguments to bear on the recent past and the present, and it does so with the same discipline of fairness that has governed the series from the start.
Deindustrialization and the New Economy
The unmaking of the cigar city, traced in Paper 10, was completed in the postwar decades by the broader deindustrialization that reshaped American cities, and the working world that this series has chronicled largely passed away. The last of the cigar industry dwindled to insignificance; the skilled hand trade was gone; and the economic foundation that had made Ybor City a distinctive working-class world no longer existed (Mormino & Pozzetta, 1998; Kerstein, 2001).
Tampa’s economy remade itself around other things. The port, always significant, remained so. The military presence anchored by MacDill continued. But increasingly the region’s economy turned toward services, tourism, real estate, finance, and the other sectors of the postindustrial Sun Belt city, and Tampa grew enormously in the postwar decades as part of the great migration to Florida and the South (Kerstein, 2001; Mormino, 2005). This was a different kind of economy from the one that had built the cigar city—less centered on skilled industrial craft, less rooted in dense ethnic working-class neighborhoods, more dispersed across a sprawling metropolitan region of suburbs and highways.
For the descendants of the cigar workers, this transformation largely meant the fulfillment of the ladder up that their immigrant forebears had begun to climb. The grandchildren and great-grandchildren of the tabaqueros moved into the professions, businesses, and middle-class life of the broader economy, dispersing from the old neighborhoods into the suburbs and merging into the American mainstream (Mormino & Pozzetta, 1998). This was, in the terms this series established in Paper 5, a success—the opportunity the immigrants had crossed the ocean seeking, realized in their descendants’ rise. It was also, as Paper 10 argued, the dissolution of the distinctive community they had built, the completion of a process in which the people advanced and their world passed away together. The old working-class Tampa of the cigar city was, by the late twentieth century, a matter of memory rather than a living reality.
The Cuban Exiles: A Reckoning with Socialism
The most significant new migration of the postwar era, and the one that carries the sharpest meaning for this series, was the arrival of Cuban exiles fleeing the revolution that brought Fidel Castro to power in 1959. This migration connects Tampa’s Cuban heritage to the great Cuban exile community of Florida and provides this series its most direct reckoning with the socialism it has treated skeptically throughout.
The Cuban revolution of 1959 established a socialist state in Cuba, and in its aftermath hundreds of thousands of Cubans fled the island, most famously to Miami but to Tampa as well, which had its own historic Cuban community dating to the cigar era (Pérez, 1999; Mormino & Pozzetta, 1998). These exiles fled a regime that had abolished private enterprise, seized property, suppressed political dissent, imprisoned opponents, and imposed the comprehensive control of a one-party socialist state. They came as refugees from an actual, existing socialism—not the theoretical socialism debated by the anarchists and socialists of old Ybor City, but the real thing as it was built and enforced in their homeland.
This gives the series its most concrete verdict on the ideology, and the paper draws it out carefully and fairly, without triumphalism. The old cigar city, as Paper 7 described, had been a center of labor radicalism, where anarchist and socialist ideas were mainstream and where the workers debated and sometimes embraced the vision of a workers’ state that would provide security and justice. The Cuban exiles of the later twentieth century had seen what an actual socialist state, built in the name of that vision, produced: the loss of the private enterprise and property that this series has shown were central to immigrant advancement; the suppression of the free association and self-governance that had made the mutual-aid societies possible; and the flight of hundreds of thousands who preferred exile to life under the regime. The people who fled Cuba voted against the socialist state with their feet, in numbers that speak for themselves.
The point must be made with fairness, and the series’ discipline requires several qualifications. The exiles’ experience is a real and weighty piece of evidence, but it is the evidence of one socialist state, built in particular circumstances, and honesty does not permit inflating it into a simple proof that every idea ever held by an Ybor City radical led inevitably to Castro’s Cuba. The anarchists and socialists of the old cigar city held varied views, many of them focused on immediate workplace grievances rather than on building a total state, and it would be unfair to hold every cigar-worker radical responsible for a regime established decades later in another country. Moreover, the exiles fled for varied reasons, and the exile community’s own politics have been complex and contested. The fair conclusion is not a crude “socialism always leads to this,” but something more measured and more telling: that when the socialist vision that had circulated in places like old Ybor City was actually built into a state, in Cuba, it produced a regime that hundreds of thousands of Cubans—including many who had once had their own hopes for the revolution—found intolerable enough to flee, abandoning homeland and property for exile. That is a real verdict, delivered by the people who lived the experiment, and it lends weight to this series’ long skepticism about the claim that the workers’ salvation lay in the socialist state. The mutual-aid societies of old Ybor City had shown that workers could build security through free association; the Cuban exiles showed what was lost when a state claimed to provide that security by abolishing the freedom on which it depended. The two Cuban stories, a century apart, frame the series’ argument from both ends.
Gentrification and the Fate of Ybor City
While the descendants of the cigar workers dispersed and new Cuban exiles arrived, the physical district of Ybor City underwent its own transformation, and its fate carries a further irony for the series. Ybor City, battered by the industry’s collapse and cut through by the highway as Paper 11 described, declined through the mid-twentieth century into a largely abandoned and deteriorated district, its factories closed, its population scattered, its great clubhouses fading (Mormino & Pozzetta, 1998; Kerstein, 2001).
Then, in the later decades of the century, it was rediscovered and remade. Recognized for its historic character and its distinctive architecture, Ybor City was designated a National Historic Landmark District and became the object of preservation and, increasingly, commercial redevelopment (Kerstein, 2001). Over time the old working-class immigrant district was transformed into an entertainment and tourism zone—a place of restaurants, bars, clubs, and shops trading on the district’s history and atmosphere, drawing visitors to a sanitized and commercialized version of the world the cigar workers had built. The casitas and clubhouses that survived became heritage attractions; the district that had been a place of labor became a place of leisure and consumption.
This gentrification carries a genuine irony that the paper names. The working-class immigrant community that had built Ybor City through its own labor was long gone, dispersed by collapse, assimilation, and the bulldozer; and what replaced it, in part, was a commercialized celebration of that vanished community, marketed to tourists and consumers who came to enjoy the atmosphere of a working-class world that no longer existed and whose actual descendants had moved to the suburbs. The living community was unmade, and a heritage district was made in its place—the memory of the working people packaged as an attraction. There is something to lament in this, as there is in most gentrification: the transformation of a lived community into a consumed spectacle. But the paper resists a simple lament, because the preservation also saved the physical fabric—the clubhouses, the factory buildings, the casitas—that would otherwise have been lost entirely, and because it keeps alive, however commercially, a memory of the cigar city that might otherwise have vanished. The fate of Ybor City is thus ambiguous: a real loss of the living community, and a partial preservation of its memory and its fabric, tangled together in the tourist district that now occupies the ground.
The Contest over Memory
This brings the series to its final subject, which is memory itself—the question of who tells the story of Tampa’s working people and what that story is made to mean. For the history of the cigar city has not merely happened; it has been remembered, narrated, celebrated, and contested, and the way it is remembered is itself a matter of stakes (Mormino & Pozzetta, 1998; Greenbaum, 2002).
The dominant memory of Ybor City, as it has been packaged in the heritage district and the popular imagination, tends toward a particular story: a romantic celebration of the immigrant working class, its labor militancy, its radical culture, its solidarity and struggle. This is the heroic narrative that the papers of this series have engaged critically throughout—the story of the insurgent city, the strikes, the anarchists and socialists, the workers’ resistance to the bosses. It is a story with real truth in it, and it makes for stirring heritage and appealing tourism. But it is, this series has argued, a partial and in some ways misleading story, and the contest over memory is in part a contest over whether that heroic narrative is the whole truth.
For this series has told a different story, or rather a more complete one. It has argued that the truest engines of working-class advancement in Tampa were not the strikes and the radicalism that the heroic memory celebrates, but the quieter achievements the celebratory narrative tends to overlook: the ladder up built through craft, thrift, property, and family enterprise; the mutual-aid societies that provided cradle-to-grave security through voluntary cooperation without the state; the churches that anchored Black Tampa and became the base of its liberation; the central labor of women who sustained the households and the institutions. It has treated the labor militancy with fairness but has counted its costs, questioned its record of defeat, and suggested that it may have hastened the collapse of the industry it sought to defend. It has held up the voluntary institution over the strike and over the state as the working people’s most effective instrument. And it has found, in the Cuban exiles fleeing an actual socialist state, a real-world verdict on the ideology that the heroic memory of radical Ybor City tends to celebrate uncritically.
The contest over memory, then, is a contest between two stories of the working people, and this series has taken a side in it—not by denying the heroic narrative’s truths, but by insisting on the fuller picture the celebration flattens. The workers of Ybor City were not only, or even mainly, the militant strikers and radicals of the romantic memory; they were also, and more fundamentally, the striving, saving, self-organizing families who built the ladder up and the mutual-aid societies, the churchgoing Black Tampans who built their own institutions and won their own freedom, the women who held it all together. To remember only the strikes and the radicalism is to remember the loud minority of the story and forget the quiet majority—to celebrate the confrontations that mostly failed and overlook the voluntary institutions that mostly succeeded. A history from below that takes all the working people seriously, and not only the militant ones, tells a different and truer story, and this series has tried to tell it.
The Meaning of the Whole
It remains, in closing the series, to draw together the meaning of the whole history it has traced, from the Tocobaga fishers to the present. Across the entire span, a single thread runs through this history from below: ordinary people, in every era, provided for themselves and advanced through their own labor, their own families, and their own voluntary cooperation, and their most durable achievements were the institutions they built for themselves.
The Tocobaga commoners fed their communities from the bay through their own skilled labor. The frontier households survived through their own self-reliance and their neighbors’ mutual aid. The enslaved and the Black Seminoles fought for ownership of themselves, and the freedpeople built their own churches and institutions to secure the freedom they won. The immigrant cigar workers climbed the ladder up through craft and thrift and enterprise, and built the great mutual-aid societies that provided their security through voluntary cooperation without the state. Black Tampans built the churches and businesses that sustained them under Jim Crow and became the base from which they overcame it. The women of every community did the essential labor and sustained the essential institutions. Again and again, across four centuries and every kind of hardship, the working people of Tampa provided for themselves through their own effort and their own free association.
And again and again, the threats to their achievements came from concentrated power exercised upon them from above: the Spanish invasion that destroyed the Tocobaga, the slavery that denied self-ownership, the Jim Crow system enforced by vigilante terror, the government bulldozers that demolished the self-built neighborhoods, and—in the Cuban reckoning—the socialist state that abolished the free enterprise and free association on which the immigrant achievement had depended. The lesson this series draws is not a crude hostility to all authority, for it has credited the state where the state did real good, as with emancipation and New Deal relief. The lesson is more precise and more durable: that the working people’s truest strength lay in their own labor, their own families, and their own voluntary institutions, and that the gravest dangers to them came from power that acted upon them without their consent and beyond their control. That is the argument of this history from below, drawn from the whole span of Tampa’s working people, and it is the note on which the series ends.
Conclusion
From 1959 to the present, the working-class Tampa this series has chronicled passed fully into history, even as its meaning remained contested. Deindustrialization completed the unmaking of the cigar city, and the descendants of its workers dispersed into the broader American middle class, fulfilling the ladder up their immigrant forebears had begun. The Cuban exiles who fled Castro’s socialist state after 1959 delivered, in their flight, a real-world verdict on the ideology that the old cigar city had debated and sometimes embraced—a verdict that lends weight to this series’ long skepticism about the claim that the workers’ salvation lay in the socialist state, while the mutual-aid societies of old Ybor City stand as the enduring evidence of what voluntary cooperation could build instead. Ybor City itself was remade from a working district into a heritage and tourism zone, its living community lost and its memory preserved in ambiguous, commercialized form. And the contest over how to remember the working people continues, between the heroic narrative of militant radicalism and the fuller story this series has told—of striving families, voluntary institutions, and self-built communities, of a working people whose truest strength lay in their own labor and their own free association. That fuller story, told from below and across the whole span of Tampa’s history, has been the work of this series, and it ends where it began: with the ordinary people who built and sustained a city, remembered at last as the principal makers of their own history.
Notes
- This concluding paper draws together the whole series’ arguments and should be drafted last, with attention to consistency with the preceding eleven papers. The note file should flag that its function is synthetic: it applies the established themes (ladder up, voluntary institutions over state and strike, condemnation of Jim Crow, centrality of women, the nuanced account of the state) to the recent past and then restates the series’ overall argument in “The Meaning of the Whole.” Drafting should ensure the synthesis matches what the earlier papers actually argued.
- The Cuban-exile section is the series’ sharpest reckoning with socialism and must be handled with the fairness the series has maintained throughout, or it will read as opportunistic. The key qualifications are essential and must not be trimmed: the exiles are evidence of ONE socialist state in particular circumstances; the old Ybor City radicals held varied views and cannot all be held responsible for a regime established decades later in another country; the exile community’s own politics are complex. The measured conclusion (not “socialism always leads to this,” but “when the vision was built into a state in Cuba, hundreds of thousands fled”) is the defensible version and should be preserved exactly. Overreach here would violate the skeptical-but-fair discipline that has governed the series.
- The two-Cuban-stories framing (the cigar-era Cuban migration of Papers 5–7 and the post-1959 exile migration) is a deliberate structural bookend and a strong device for the series’ argument. Louis Pérez’s work on Cuba and the Cubans is the essential source; drafting should ground the exile material in the scholarly literature on the Cuban revolution and diaspora, not in polemic.
- The gentrification section deliberately resists a simple lament, noting that preservation saved the physical fabric and the memory even as it commercialized them. This ambiguity is the anti-romance discipline applied to heritage and should be preserved; a purely mournful account would be less honest than the tangled one.
- “The Contest over Memory” is where the series reflects on itself as an intervention, and it should be drafted with appropriate self-awareness: the series has taken a side against the purely heroic narrative of radical Ybor City, and this section says so openly rather than pretending to neutrality. This honesty about the series’ own argument is important—the series has a thesis and should own it, while having earned the right to it through the fairness of the preceding papers.
- “The Meaning of the Whole” restates the series’ central argument and its careful position on the state (crediting emancipation and New Deal relief while indicting invasion, slavery, Jim Crow, the bulldozers, and the Cuban socialist state). Drafting must keep this consistent with the nuanced state-argument developed across Papers 10 and 11—the lesson is about power exercised without consent, NOT blanket anti-statism. This is the series’ most important overarching claim and its most vulnerable to caricature, so the precision matters.
- This paper reaches the present and therefore touches on matters that continue to develop (Ybor City’s ongoing redevelopment, the Cuban-American community’s evolving politics, current debates over public memory and monuments). A full draft brought to publication should verify the most recent developments, as the recent-history material is the most likely to have changed since these sources were published; the later Mormino sources and current local reporting would need consulting.
- The series as a whole rests heavily on a core set of scholarly works (Mormino & Pozzetta, Hewitt, Ingalls, Greenbaum, Beito, Brown, Kerstein, and the archaeological and Native-history literature of the early papers). A complete series would benefit from a consolidated bibliographic essay assessing these sources and their interpretive tendencies, since the series both depends on and argues against aspects of this literature—particularly the more celebratory readings of Ybor City radicalism.
References
Beito, D. T. (2000). From mutual aid to the welfare state: Fraternal societies and social services, 1890–1967. University of North Carolina Press.
García, M. C. (1996). Havana USA: Cuban exiles and Cuban Americans in South Florida, 1959–1994. University of California Press.
Greenbaum, S. D. (2002). More than black: Afro-Cubans in Tampa. University Press of Florida.
Kerstein, R. (2001). Politics and growth in twentieth-century Tampa. University Press of Florida.
Mormino, G. R. (2005). Land of sunshine, state of dreams: A social history of modern Florida. University Press of Florida.
Mormino, G. R., & Pozzetta, G. E. (1998). The immigrant world of Ybor City: Italians and their Latin neighbors in Tampa, 1885–1985. University Press of Florida.
Pérez, L. A., Jr. (1999). On becoming Cuban: Identity, nationality, and culture. University of North Carolina Press.
Pérez, L. A., Jr. (2015). Cuba: Between reform and revolution (5th ed.). Oxford University Press.
