Greatest Hits: Huey Lewis & The News, by Huey Lewis & The News
This album was released in 2006, only a bit more than a decade after a previous retrospective for Huey Lewis & the News. By this time the band had already released an independent album (Plan B) and Huey Lewis had acted in the film Duets, where he and Gweneth Paltrow had a hit single off of the soundtrack (this will become relevant later). Having just reviewed a compilation album that was less than the sum of its parts, let’s take a look at what I consider to be a very excellent compilation album. How do I know it’s excellent? Well, it has 20 tracks on it and without even listening to it I already know and like basically the entire album. Not only is it all hits, or very close to it, but the compilation manages to include songs from the very beginning of the career of Huey Lewis & the News to the period after their major label peak. This is a rare accomplishment, and it indicates (as someone who pays attention to this), that the musical act in question is one whose importance is increasing enough to have a compilation that sets its whole career in a balanced and stellar retrospective. So, what do you get when you listen to this album? Let’s listen.
The Heart Of Rock & Roll: This single edit begins the collection with a song that addresses Huey Lewis & The News adroitly addressing something that they were accused of doing, being sellout pop rock artists in a decade where the group recognizes the stresses that rock was under but affirms its survival even in adverse circumstances.
I Want A New Drug: This is another massive hit, this is included here as a representative of the group’s popular music as well as a hint at some of the legal controversy that surrounded the similarities between this song and the Ghostbuster’s theme.
The Power of Love: A #1 soundtrack hit, this song from the Back to the Future soundtrack indicates that soundtrack hits are going to be a major aspect of this compilation, which is a welcome prospect that is not always the case with this sort of album.
Jacob’s Ladder: This single remix was a massive hit from Bruce Hornsby, and it is a song that despite its success has sometimes been neglected as a statement of Huey Lewis & the News’ populist attitude (which is plenty in evidence on this compilation). Hornsby includes a bit of his political poetry here, though it doesn’t come off as preachy from Huey Lewis as it would by Hornsby himself, it must admitted.
Stuck With You: This song, one of the best known from Huey Lewis & The News, is a song that appears to be a placid song of love and devotion, and which has rather stinging lyrics about the sort of habits of mind and complacency that lead people to be stuck with each other and even content at being stuck with each other because it’s reciprocal at least. This is by no means devoted love, but it is at least fatuous, it must be admitted.
Doing It All For My Baby: This song contrasts the previous one by providing an example of upbeat devotion, indicating the complexity that was sometimes disguised by the musical excellence of the group, and an example of including a suite of romantic-related songs that indicate the broad scope of popular love songs that the group made.
If This Is It: Perhaps my favorite single from the band, this song maintains an upbeat feel despite lyrics that express questioning as to whether a relationship is doomed or not. Like the previous two songs, this song participates in an interesting conversation about the range of romantic songs present within the peak era of the group.
Do You Believe In Love?: The hit song that directly preceded the peak era of popularity for Huey Lewis & The News, this song like the previous one is an upbeat song that is questioning one, but this is questioning not at the end of a relationship but questioning at the beginning, seeking consent to get much more deeply committed to each other. It is striking that the group was confident enough in their coherence but also variety to include four upbeat love songs in a row that all examine different explorations of romantic love back to back to back to back.
Heart & Soul: This song then follows with another song about love and devotion but from a serious and sincere posture, expressing that Huey Lewis was willing to sing about being taken advantage of by someone who got what they wanted because she gave him what he wanted, heart and soul. This isn’t wide-eyed idealism but it is expressed in an upbeat fashion that indicates making the best of what one finds in the real world. This emotional realism is striking.
Back In Time: Another hit song from the Back In Time franchise, this song indicates another strong through-line of soundtrack music that indicates the cultural influence and presence of Huey Lewis & The News and one that reflects their interest in the passage of time. As usual, the music here is mixed excellently and the craft competence of the group is undeniable.
Perfect World: This single edit was a later hit single from the group, and it is part of an album that sought to expand the subject matter and seriousness of the group’s approach, but here the song doesn’t stick out like a sore thumb, but more provides an example of the group’s ability to mix realism with upbeat music, pointing out the imperfections of this world but the fact that we all keep dreaming of one anyway.
I Know What I Like: This single edit indicates another example of self-knowledge and realism from Huey Lewis & the News, indicating sincerity but in a way that doesn’t indicate negativity but rather expressing a desire for freedom and movement and excitement but also love and a desire for open and honest communication with a partner.
Trouble In Paradise: This live song from a San Francisco performance in 1985 indicates the live chops of Huey Lewis & The News, especially their instrumental section, as well as a reflective look at how the group was able to convey what could easily have been downbeat truths in rather upbeat music that rewarded careful study and the group’s refusal to succumb to despair despite the seriousness and earnestness of their work.
It’s All Right: This later compilation track and airplay hit is included here as a way of demonstrating that Huey Lewis & The News were aware of and also appreciative of the soul and R&B acts of the past and also able to demonstrate musical excellence even in acapella versions that didn’t include their usual instrumentation.
Cruisin’: Another song that pays full credit to a great from the past, in this case Smoky Robinson, this is the latest song in the compilation based on the date of release, but it fits in with the rest of the songs, because of its restraint and its excellence as well as the chemistry between Huey Lewis and Gweneth Paltrow, as well as the way that this is yet another stellar soundtrack.
Hope You Love Me Like You Say You Do: This song provides another upbeat and questioning song about love that discusses the complexity of people and their strength and weakness when it comes to love and the way that our well-being so often depends on love and relationships.
Small World: The second of the two world-titled hit singles from the same album (the other one being Perfect World), this song differs from the previous one in focusing on the limited and vulnerable nature of the world in which we live in as opposed to the imperfections of the world.
But It’s Alright: Another late-era hit single from Huey Lewis & The News, this song features a combination that is not too unfamiliar but is nevertheless distinctive, with a driving beat and lyrics about a lover who is up to no good, even though the narrator refuses to be angry or depressed about how the relationship’s dysfunction is hurting him.
Hip To Be Square: The last of the big hits of the group’s peak period to be included here, this song kicks off a mini-suite that concludes the album with a discussion of the narrator’s commitment to hard work, clean living, and heathy habits and the acceptance that if living a mature adult life makes one a square it’s better to be a square than otherwise. This is a song whose honest moral courage seems unfathomable today and likely accounts for a lot of the hostility that hipsters have for this group. Credit must also be given to the San Francisco 49ers who sang backup to the song’s rousing conclusion.
Couple Days Off: A late hit from the group, this song reflects the adult need for rest and recuperation (a Sabbath sort of approach), not demanding much from life, but seeking enough to cope with and endure the conditions of living as a responsible and functioning adult.
Workin For A Living: Another hit from the group, the end of this stellar compilation comes with another realistic reminder of adult life, the frustration of knowing that one doesn’t always get what one deserves but rather than complaining, this song is resolutely honest and straightforward and refuses to give in to despair, aware that this is a common state for people to endure.
This is about as close to a perfect compilation as one can imagine, and explaining why appears necessary. This compilation doesn’t include every hit single that the group had–some minor hits like “Bad Is Bad,” “Walking On A Thin Line,” and “It Hit Me Like A Hammer” aren’t included, for example. There are several things, though, that this compilation does particularly well. It begins with the best known songs of the group, setting the biggest songs of the group (with the exception of “Hip to Be Square”) as establishing the core sound and the most familiar songs of the compilation. After the initial ten songs or so, the rest of the album consists of hits from either the beginning or the end of the group’s career that fit alongside the general approach and skill of the group and that can be recognized as part of the group’s core sound and approach. The album is not stale or repetitive, but it contains two solid suites of materials dealing with love (four songs) and work (three songs) that demonstrate a commitment to mature adulthood. If ever restraint and maturity had a compilation, this is it, and it’s a stellar one.
