Tag Archives: music-industry

White Paper: Curated Memory vs. Measured Success: What Bread’s Compilations Reveal About Popularity, Taste, and Soft-Rock Canon Formation

Posted on December 14, 2025 by nathanalbright

Executive Summary Bread’s legacy is unusually shaped by compilation albums rather than by sustained attention to their original studio LPs. By comparing The Best of Bread (1973), a comprehensive view of Bread’s singles output, and later greatest-hits collections, this white … Continue reading →

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White Paper: A Short History of Boy Krazy

Posted on December 12, 2025 by nathanalbright

Boy Krazy (sometimes mis-remembered as “Boy Crazy”) are one of those small but revealing footnotes in pop history: a short-lived New York girl group whose one big hit arrived two years late, whose album was largely built from repurposed Kylie … Continue reading →

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White Paper: Mapping the Topology of Music Genres to Radio and Station Segments: Alignments, Overlaps, and Untapped White Spaces

Posted on November 25, 2025 by nathanalbright

Executive Summary The structure of radio programming is historically built on demographic assumptions and legacy scheduling models. Meanwhile, music genres and subgenres have followed their own evolutionary trajectories, driven by sociocultural shifts, streaming data, listener mood patterns, and generational identity … Continue reading →

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White Paper: The Neglected Production of Phil Collins

Posted on November 25, 2025 by nathanalbright

Phil Collins is usually remembered as the voice behind “In the Air Tonight,” the drummer-frontman of Genesis, and the pop superstar who dominated 1980s radio. What tends to be forgotten is that he was also a remarkably busy and influential … Continue reading →

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White Paper: The Structural Mismatch Between Artistic Creation, Corporate Promotion, and Consumer Demand

Posted on November 13, 2025 by nathanalbright

Executive Summary Across the cultural industries—publishing, music, film, television, visual art, gaming, and emerging creator-driven ecosystems—there is a persistent three-way mismatch between: What artists want to make (creative fulfillment, innovation, self-expression) What companies want to sell and promote (predictability, scalable … Continue reading →

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White Paper: Understanding the Difference Between Best Of, Greatest Hits, and Singles Albums

Posted on November 9, 2025 by nathanalbright

Executive Summary Within the recording industry, compilation albums serve different artistic, commercial, and archival purposes. Yet terms such as Best Of, Greatest Hits, and Singles Album are often used interchangeably—causing confusion among listeners, collectors, and even within label marketing departments. … Continue reading →

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White Paper: The Musical Partnership of the Female Singer and Male Producer

Posted on October 27, 2025 by nathanalbright

Executive Summary Throughout the history of popular music, a remarkably consistent pattern has emerged: the collaboration between a female singer and a male producer or instrumentalist. From The Carpenters to Everything But the Girl, from Frou Frou to Billie Eilish … Continue reading →

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Why Fine Young Cannibals Never Made a Third Studio Album — and What Happened Next (1989–present)

Posted on October 22, 2025 by nathanalbright

Executive summary Fine Young Cannibals (FYC) were one of the most successful UK-to-US crossover pop acts of the late 1980s, scoring two U.S. #1 singles and a U.S. #1 album with The Raw & the Cooked (1989). Yet the group … Continue reading →

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White Paper: Resolving The Split of the Jets

Posted on October 22, 2025 by nathanalbright

1 – Executive Summary The Jets emerged in the 1980s as a successful family band of siblings from the Wolfgramm family, achieving significant chart success and global tours.  Over time, the group fractured: siblings formed separate touring line-ups, legal disputes … Continue reading →

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White Paper: Michael Bolton’s Hidden Legacy as a Songwriter

Posted on October 20, 2025 by nathanalbright

I. Executive Summary Michael Bolton is widely recognized for his powerful tenor voice and late-1980s chart dominance with songs like “How Am I Supposed to Live Without You” and “When a Man Loves a Woman.” Yet, before and alongside his … Continue reading →

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